Home ENTERTAINMENT Reps move to protect Mohbad’s royalties and music rights, invites NCC

Reps move to protect Mohbad’s royalties and music rights, invites NCC

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Reps move to protect Mohbad’s royalties and music rights, invites NCC
Reps move to protect Mohbad’s royalties and music rights, invites NCC

The House of Representatives has invited the Nigeria Copyright Commission (NCC) to develop ways to protect the rights of the late Ilerioluwa Aloba, AKA Mohbad’s songs and lyrics.

The move was made following the adoption of a motion by Rep. Babajimi Benson(APC-Lagos) at the resumed plenary in Abuja on Tuesday, September 26.

Moving the motion, Benson, said that Mohbad trag#cally passed away under mysterious circumstances on Tuesday, September 12, and his name had continued to make headlines and dominate discussions across and beyond the nation.

He said there had been protests and a procession of youths chanting his name and the call for an investigation as they marched to a tribute concert, with numerous musicians in attendance.

The rep said it was evident that Mohbad’s fans were struggling to come to terms with his untimely demise, adding that Mohbad also known as Imole, “light” in Yoruba, was an artist who sang of peace and light.

The further said Mohbad left his record label, Marlian Records, owned by Azeez Fashola (Naira Marley) in 2022, citing various grievances, including unpaid royalties.

He explained that the lawmakers need to monitor the ongoing investigation to protect the legacy of the late music star.
“Mohbad left his record label, Marlian Records, owned by Azeez Fashola (Naira Marley), in 2022, citing various grievances, including unpaid royalties. This issue is indicative of a broader problem in which artists encounter challenges asserting their rights.

Most of the proceeds of the late artist are still going to the Marlian Music Group, and there have been no moves from any agency to protect the Estate of the late singer who is currently the 46th best-selling digital artiste in the world.

A disturbing industry practice has come to the fore. Evidence of mistreatment highlights the struggles of young artists who, in their quest for success, become entangled in parasitic contracts and face bullying when they seek to exit these agreements,” he said. [Swipe left to continue reading]

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